by Brit Bennett
This is an important novel about the abortion with special reference to the African-American community. It was written over a seven year period by an author who was 24 when it was published in late 2016. It is a captivating story that gives insights into abortion, the black community, teenagers and the striving of some kids to choose a differentlife.
NY Times Review.
Saturday, December 23, 2017
Tuesday, December 5, 2017
Spy of the First Person (2017)
This Final Work by Sam Shepard Reveals His Struggle With Lou
Gehrig’s Disease
Shepard
explored his condition [ALS] through his writing — in vivid, precise prose that
transformed his worsening symptoms into something akin to poetry. It is an unvarnished, intimate portrait of a
man facing the end of his life, as he reflects on his past and observes how his
own body has betrayed him.
When
Shepard began working on “Spy of the First Person” in early 2016, he could
still write by hand. But a few months later, as his illness worsened, that
became impossible. So his daughter, Hannah, bought him a recorder, and would
set it up by him and leave him to dictate in the garden of his home in
Kentucky.
Sam
Shepard, NY Times Obit.
Monday, November 27, 2017
Wonder
Why ‘Wonder,’ the Movie, Can’t Best the Book It’s Based On
Like most people who love the best-selling book “Wonder,” I’ve been thrilled by the success of the movie version. It captures beautifully the book’s central premise, that we should choose to be kind and inclusive to people like Auggie Pullman, the protagonist, who was born with facial deformities that are at first shocking to look at. The young actor Jacob Tremblay, wearing mask like makeup that rearranges his features, gracefully inhabits the role of Auggie not only by showing his pain and vulnerability, but also by convincing us of one of the secret weapons of R. J. Palacio’s book: Auggie is fun, clever and generous, and the kids who call him “the freak” actually have the most to gain by his friendship. So I feel gratified that the movie seems to be catching on — but also, I’ll admit, a bit wary.
Also see: Wonder, The Movie
By MARIA RUSSO NOV. 24, 2017
Like most people who love the best-selling book “Wonder,” I’ve been thrilled by the success of the movie version. It captures beautifully the book’s central premise, that we should choose to be kind and inclusive to people like Auggie Pullman, the protagonist, who was born with facial deformities that are at first shocking to look at. The young actor Jacob Tremblay, wearing mask like makeup that rearranges his features, gracefully inhabits the role of Auggie not only by showing his pain and vulnerability, but also by convincing us of one of the secret weapons of R. J. Palacio’s book: Auggie is fun, clever and generous, and the kids who call him “the freak” actually have the most to gain by his friendship. So I feel gratified that the movie seems to be catching on — but also, I’ll admit, a bit wary.
Thursday, November 2, 2017
Redefining Realness My Path to Womanhood, Identity, Love & So Much More
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Janet Mock’s first book, Redefining Realness, is a brilliant, raw,
educational journey with a transwoman that takes her from being a child and
follows her through hormone therapy and transitional surgery in Thailand. It is important reading for educators,
parents, health professionals and anyone with an open mind. I listened to the Audible book and that makes the story even more poignant as Janet narrates
her own story.
I
was in the seventh grade when I first began to identify as trans and express my
gender identity as a girl...This shift
in my personal aesthetic made me feel good about my body, confident in my
appearance and at ease in social settings where my peers were also exploring,
changing and growing.
Janet Mock was a black and Native Hawaiian trans girl from a single-parent home. I was not
naïve. I knew that struggle was part of my coming of age, so I wore a smile
every day as part of my armor. I didn’t want anyone to see that I was in pain,
that I felt like I did not belong and that my body, my clothing, my being was
wrong.
Tuesday, September 5, 2017
Beyond the Thin Blue Air
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by Lu Spinney
This important and riveting
memoir recounts
the devastating injury sustained by the author’s son, Miles, a handsome,
bright, and adventurous 29-year-old who crashed while snowboarding in the Alps.
About her book, the
author writes, “there is a strange contradiction in writing about a private
experience and making it public. I’ve just written a book about a subject that
for five years I not only avoided but found bitterly painful to talk about. To
discuss my son Miles’s situation with anybody other than family or closest
friends felt like a betrayal of his privacy; it was too intensely private to
share. And now I’ve written a book about it.
The book reflects on traumatic brain injury, minimal
conscious states, long-term care, quality of life, the effects on the family of
the injured person and much more. It
will be valuable reading for any health care worker and others interested in
these issues.
Monday, July 24, 2017
LIGHTS ON, RATS OUT (2017)
A Memoir
See NY Times book review: An Odyssey Through Self-Harm and Out the Other Side
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by Cree LaFavour
“Lights On, Rats Out is unlike anything I’ve ever read―a
powerfully, staggeringly honest book that is excruciating in places, and also
completely haunting. LeFavour’s intimate account of her relationship with her
psychiatrist is intensely compelling, forthright, and brave. Did he overstep?
Was he somehow pulled in by her beyond what was therapeutically appropriate or
helpful? This is a fascinating memoir in a category of its own.”―Dani Shapiro
See NY Times book review: An Odyssey Through Self-Harm and Out the Other Side
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A Little Life, by Hanya Yanagihara is an important novel in the context of self-harm
behavior.
Thursday, April 13, 2017
Falling Ill
by C. K. Williams (Farrar, Straus & Giroux).
This posthumous collection of poems, written as the author was dying, of multiple myeloma, is a gentle but unflinching confrontation with mortality. Beginning with the moment of diagnosis (“interesting no?”), and signing off with “I want to wish you goodbye but don’t dare,” Williams records the progress of his disease and his halting acceptance of the end of life. A steady lilt, alternately peaceful and hallucinatory, presides over the work, which is devoid of punctuation except for frequent question marks. Uniform in construction, with five three-line stanzas, the poems feel less like a series than like a single valedictory utterance.
This posthumous collection of poems, written as the author was dying, of multiple myeloma, is a gentle but unflinching confrontation with mortality. Beginning with the moment of diagnosis (“interesting no?”), and signing off with “I want to wish you goodbye but don’t dare,” Williams records the progress of his disease and his halting acceptance of the end of life. A steady lilt, alternately peaceful and hallucinatory, presides over the work, which is devoid of punctuation except for frequent question marks. Uniform in construction, with five three-line stanzas, the poems feel less like a series than like a single valedictory utterance.
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